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	<title>Kdiohead &#8211; ecomm</title>
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		<title>Weird Fishes / Arpeggi</title>
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		<dc:creator><![CDATA[Kdiohead.]]></dc:creator>
		<pubDate>Tue, 02 Jun 2026 08:10:00 +0000</pubDate>
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					<description><![CDATA[尺寸：Freesize
顏色： 白
布料：仿舊布料（棉質）]]></description>
										<content:encoded><![CDATA[<p>MY IRON LUNG! THE HEAD SHRINKERS! THEY WANT EVERYTHING! MY UNCLE BILL! MY BELISHA BEACON!</p>
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		<title>紅綠燈</title>
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		<dc:creator><![CDATA[Kdiohead.]]></dc:creator>
		<pubDate>Tue, 02 Jun 2026 07:45:47 +0000</pubDate>
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					<description><![CDATA[尺寸：Freesize
顏色： 白
布料：仿舊布料（棉質）]]></description>
										<content:encoded><![CDATA[<p>功德無量。</p>
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		<title>BREAKFAST WITH ME?</title>
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		<dc:creator><![CDATA[Kdiohead.]]></dc:creator>
		<pubDate>Tue, 02 Jun 2026 07:17:23 +0000</pubDate>
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					<description><![CDATA[尺寸：Freesize
顏色：黑
布料：仿舊布料（棉質）]]></description>
										<content:encoded><![CDATA[<p>CHAMPION BREAKFAST.</p>
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		<title>High Cortisol City</title>
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		<dc:creator><![CDATA[Kdiohead.]]></dc:creator>
		<pubDate>Tue, 02 Jun 2026 06:55:08 +0000</pubDate>
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					<description><![CDATA[繁華都市沿著軌道高速運轉，中央勞動者卻孤身逆流前行，與周遭人群形成強烈對比，展現現代城市中個體的孤獨與疏離感。

尺寸：A3]]></description>
										<content:encoded><![CDATA[<p data-start="0" data-end="168">以城市街道作為舞台，透過視覺對比與空間張力，描繪出個體與都市之間微妙而複雜的關係。畫面中央，一名推著手推車的男子緩慢前行，他的身影被置於電車軌道的交會點上，成為整個構圖最直接的視覺焦點。相較於遠處熙來攘往的行人、繁忙運行的電車，以及高樓林立所象徵的都市秩序與繁榮，男子顯得格外孤獨且沉默，彷彿不屬於這個高速運轉的世界。</p>
<p data-start="170" data-end="370">作品最具張力之處，在於人物與環境所形成的鮮明反差。後方街區充滿現代都市的節奏感，人群聚集在路邊等待交通工具，車輛沿著既定軌道前進，一切都遵循著城市運作的規律；然而畫面中央的人物卻以最原始、最緩慢的方式推動著手推車前行。他像是一個誤入都市洪流中的旅人，在機械與效率主導的空間裡，仍然依靠自身的力量前進。這種「慢」與「快」、「個體」與「群體」、「勞動」與「消費」之間的對比，使作品產生耐人尋味的戲劇張力。</p>
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